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The first of these shorts was included on the original Laserdisc release back in the 90s and it covers the very tragic backstory of a character called Cima Garahau. However, the two major additions this set offers is not only the all-new 5.1 surround sound remastered soundtrack but also the Mayfly of Space shorts. The latter isn’t exactly great and the series is more coherent but the fact we have it is definitely welcomed. This Blu-ray collection is also a lot more comprehensive than prior releases by Right Stuf and not only contains the whole OVA series but also the compilation movie, Afterglow of Zeon. So it’s a shame that it still has pieces copied from elsewhere.
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However, the various songs in the series, sung by the wonderful MIQ, and the rest of the score is actually great. This is also something that people have delved into quite some detail over the years and it still bothers me when I watch this series. With the most obvious of these being Brainstorm and Glory by James Horner and 2010 by David Shire.
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It’s still massively jarring after all these years and it’s something that still bugs me.Īs for the music, much of the score is lifted from a variety of movie soundtracks. Yet by the end of the series, they are somehow former lovers. It’s very clear in the first episode she has a clear line of sight on a pivotal character and reacts as though she doesn’t know him. When it comes to Nina, the big reveal at the end of the series still makes no sense.
There are only two points that I still have major issues with when it comes to Gundam 0083 the story arc of Nina Purpleton and the plagiarized music. In any case, if you find series like Cowboy Bebop engaging then you might find Gundam 0083 worth a watch.
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Much of this is also down to the legendary Hirotoshi Sano, who pretty much defined the aesthetic of much of Sunrise’s mecha related anime back in the 90s. In that sense, Gundam 0083 and Cowboy Bebop are tonally quite similar and share a familiar art style. So Tomino’s Gundam this is not but Gundam 0083 also laid the groundwork for much of what Sunrise would do in the 90s, culminating in the hit series Cowboy Bebop.Ĭowboy Bebop is notable because many of the key staff that worked on that series cut their creative teeth on Gundam 0083, from director and storyboard artist Shinichiro Watanabe to character designer Toshihiro Kawamoto, not to mention Shoji Kawamori’s involvement on the mecha design. The Takahashi references are also more overt, as one of the guest characters in the series ends up being called Kelly Layzner. Instead treating the interstitial conflict between the now bloated Earth Federation and the rag tag remnants of Zeon in a grittier and more rule based fashion. This is where Gundam 0083 comes in and it too avoids the whole angle on Newtypes.
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It’s as though Sunrise moved away from the approach Yoshiyuki Tomino took for mainline TV series and movies, instead channeling more of Ryosuke Takahashi’s work from series such as Dougram, VOTOMS and Layznerfor these Gundam OVAs. Instead, we have a human tale of war and the hardware is treated in a more honest as well as brutal way. While they are referenced in passing, they are not directly part of the story. One of the defining aspects of Gundam 0080 was that it eschewed the notion of Newtypes. It’s this approach that brings me back to the prior OVA series, Gundam 0080. In that sense, Gundam 0083 was meant to connect the two works but it did so in a very un- Gundam way.